5 photo exhibitions against the status quo

Housed in the Centre for Modern Photography (CCP), Queering the Body options artists Brook Andrew, J Davies, Helen Grace, Samuel Hodge, Shannon May possibly Powell and The Huxleys in a properly-rounded celebration of queer love and substitute stories.

The exhibition traces queer background from 70s up until the present with numerous voices, like the documentation of Amazon Acres, the female-only commune, by Helen Grace and Brook Andrew’s will work capturing queer Indigenous joy in the 90s.

Honouring the queer icons of art heritage in entire pressure, photographic tributes by The Huxley’s showcase extravagant costumes influenced by names which includes Robert Mapplethorpe and Keith Haring, who fronted sexual liberation and the celebration of gay communities in their own techniques.

In addition, large-scale operates by US artist Paul Mpagi Sepuya that line the entry hall tends to make very clear the conceptual mastery of this acclaimed expertise and Web Immigrants showcasing Latinx trans artist Martine Gutierrez is a tech-infiltrated (even so empowering) collage of self-discovery.

The electric collage wall by Samuel Hodge as aspect of Queering the Body at CCP. Photograph: ArtsHub.

Bringing with each other operates by To start with Nations artists, Previous Means, New Methods centres pictures as a way to take into consideration the past in the lenses of the present. Positioning traditions in conjunction with contemporary techniques, the exhibition attracts a continuum via time and showcases diverse narratives from 11 artists.

Occasionally it indicates that there is extra that lies beyond the picture. Brenda L Croft’s functions of archival pictures of her father reveals a youthful man disconnected from his Indigenous heritage prior to starting to be a vocal advocate for the Stolen Era. In the meantime Dianne Jones has imposed herself into Tom Roberts‘ Shearing the lambs (1890) to challenge notions of patriarchy, inventive labour and historic cannons.

A single photograph by Viva Gibb (the only non-Indigenous artist in the exhibition) files First Nations artists outside the 1991 exhibition, Pitcha mi Koorie, as section of the Melbourne Fringe Competition, an initiative by Janina Harding to showcase new Indigenous artists at the event each and every year.

A collaborative endeavour by the MGA with selection and curatorial input from the Koorie Heritage Have faith in and the Horsham Regional Art Gallery, Old Means, New Techniques is an open dialogue on the energy of photography, from its documentary features to being a medium of memory and provocations.

Also on see at the MGA is Hoda Afshar’s enigmatic solo exhibition Talk the wind (also aspect of Photo 2022) and MGA’s annual showcase of emerging photographic artists, Create.

About the innovative west of Melbourne, Footscray Local community Arts varieties the backdrop for A Bell Rings Across the Valley, a tenderly curated clearly show bringing together five South-Asian artists that delves deep into sentiments of class, race, and personal storytelling. Running outside the house the Western canon, Fijian/Australian curator Shivanjani Lal introduced alongside one another Afshika Rahman (Bangladesh), Indu Anthony (India), Sheelasha Rajbhandari/Nepal Photo Libary (Nepal), Devika Bilimoria (Australia) and Shwe Witt Hmon (Myanmar) to present sophisticated narratives across the South Asia diaspora.

The demonstrate opens with Indu Anthony’s Cecilia_ed, an focus-grabbing centrepiece featuring the 76-yr-outdated product in vacation aptitude. Outside of the energetic portraits and humorous suggestions for women and females to live to the comprehensive is an exploration into how the lens generates a safe place for self-expression that is normally guarded and policed in community.

Other works in the exhibition give voice to those people who have been prolonged silenced via class and race struggles, these types of as the gold stitched portraits by Ashfika Rahman and silk-display screen shawls of Sheelasha Rajbhandari (reminiscent of these by the artist’s grandmother).

Opening his very first solo exhibition at Image 2022 is Australian/Filipino artist James J Robinson at Hillvale Gallery with a stereotype-demolishing exhibit, On Golden Days.

Hunting at the structures of nostalgia and the ‘fetishisation’ of a golden era dependent on films, songs and literature, Robinson rewrites record by his staged photographic operates by filling in the lacking minority.

Even so, On Golden Times does not skip a defeat with the glamour and aptitude of the 60s aesthetic. Starring an substantial Asian forged for scenes reminiscing Outdated Hollywood these types of as Diamonds Are a Girl’s Finest Pal and back-alley gangster getaways, Robinson concerns the exclusivity of a created past that necessitates cautious deconstructing.

Queerness is yet another major topic and section of Robinson’s aesthetic, proven via his fascination with the function cowboys perform in the American legendary landscape and their association with poisonous masculinity.

The exhibition disrupts notions of a homogenous collective historical past, even in the realms of amusement and visible tradition, and in its place implies that there are multitudes of prospects and details to the route we continue to need to have to just take for representation and variety.

A single of James J Robinson’s stereotype-disrupting works through set up at Hillvale Gallery. Picture courtesy of the artist and Hillvale Gallery.

At Geelong Gallery, Ponch Hawkes problems the mainstream infiltration of lovely young bodies and as a substitute turns her lens on the desirability and visibility of more mature lady, centring them as the topic of exploration.

Because launching in 2018, 432 females higher than the age of 50 and from a myriad of backgrounds have volunteered to be photographed to share realities and rejoice their bodies.

The black and white photos are touching and light-hearted as some participants perform on art-historical tropes though other folks adopt props into their portraits – a healthful invitation to provide out the young-artwork-coronary heart somewhat than abiding by the commercialised elegance requirements of nowadays.

Relatively than becoming staged as susceptible, the operates and their dynamic topics are an empowering reminder of the pleasure of dwelling, remaining and needing that isn’t certain by age.

Look at the whole Photo 2022 program.

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